Olivier Thouin / Yegor Dyachkov: Interwar Duets

Album cover art for upc 774204997120
Label: ANALEKTA
Catalog: AN29971
Format: CD

Dyachkov, Yegor | Thouin, Olivier

Ravel, Maurice | Schulhoff , Erwin | Martinu, Bohuslav | Honegger, Arthur

Wholenote Discoveries - May 2011
This disc features familiar and unfamiliar works for violin and cello performed with aplomb and vigour by Olivier Thouin and Yegor Dyachkov. Most familiar is the Sonata for Violin and Cello completed in 1922 by Maurice Ravel. I remember once, after not hearing this extremely virtuosic work in a decade or so, tuning in to a radio broadcast during the Vif, avec entrain final movement and wondering “Oh that’s so familiar, which quartet is that?” – such is the dexterity required of the two musicians. Thouin, currently associate concertmaster of the Orchestre symphonique de Montréal, and well known soloist Dyachkov take it all in stride. They make it sound easy, even effortless, while capturing all the excitement and nuance of the moment. This consummate musicianship is on show throughout the disc, which includes lesser known but delightful duets by Martinu and Honegger. But the real gem for me is the offering by Erwin Schulhoff, composed in 1925. More and more music of this Nazi-designated “Degenerate” composer is gaining attention in recent years and with each new discovery our awareness of the tragedy of the composer’s death in a concentration camp becomes more acute. Schulhoff’s Duet is in the classical four movement form of the sonata. Framed by dramatic rondos utilizing “modal language pushed to the edge of atonality,” the central movements include Zingaresca - a rollicking Gypsy dance - and a sombre Andantino. Although one might wonder whether the stark combination of violin and cello could sustain the listener’s interest for the duration of the disc, I had no problem with attention deficit during these marvellous performances. David Olds
In the immense landscape that is chamber music, the duet for violin and cello is assuredly not the most well-travelled road. Even so, in the aftermath of World War I, while Europe was succumbing to jazz fever and gypsy music, while classical music teeter-tottered between two worlds, tradition and modernity, a few rare composers rose brilliantly to the challenges posed by such a sparse ensemble. The four works on this album—delicate jewels of finely wrought chiaroscuro whose glinting reflections vary from the warm glow of an ember to the dazzling flash of a spark—are among the most outstanding achievements of this little golden age.

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