Cantigas De Santa María / Hana Blazikova

Hana Blazíkova (soprano, harp), Barbora Kabatkova (soprano, harp), Margit Ubellacker (dulce melos) & Martin Novak (percussion)

1. Virgen Madre groriosa, CSM 340 2. Des oge mais quer’ eu trobar, C.1 3. Quen as sas figuras da Virgen partir, C.76 4. Por nos de dulta livrar, C.18 5. Entre Av’e Eva, C.60 6. Santa Maria leva, C.320 7. Quen bõa dona querrá, C.160 8. Gran piadad’ e mercee e nobreza, C.105 9. Rosa das rosas, fror das frores, C.10 (Instrumental) 10. Santa Maria amar, C.7 11. O fondo do mar tan chão, C.383 12. Pera toller gran perfia, C.85 13. U alguen a Jesucristo, C.281 14. Non pod´ ome pela Virgen, C.127 15. Quen serve Santa Maria, C.213 16. Sen calar, C.380 17. Que por al non devess’ ome, C.295 18. Rosa das rosas, fror das frores, C.10 19. Como poden per sas culpas, C.166

The Cantigas de Santa Maria come from the imposing collection of the court of Alfonso X el Sabio, which offers us one of the most precious sources of mediaeval Spanish music. The Cantigas take us to the end of the Reconquista of the Iberian peninsula and to the very heart of the culture where Christian, Muslim and Jewish traditions mingle. These songs are interesting not only for their absolutely unique musical language but also for their Portuguese and Galician texts in which are combined poetry, popular stories and hymns, most of them praising miracles of the Virgin Mary. Starting from illuminated manuscripts that give us an idea of the instruments used at the king’s court, Hana Blažíková and her partners perform these works like a dialogue between two women’s voices, enriching it with two harps, a dulce melos and percussion. Whether using the whole consort or putting the instruments aside, this subtle interpretation has its source in plainchant and the music of the troubadours, with a touch of Arabizing ornaments and improvisation.

Price: $23.98