Gesualdo: Quinto Libro Di Madrigali

Gesualdo: Madrigali libro quinto, 1611 1. Gioite voi col canto 2. S'io non miro non moro 3. Itene, o miei sospiri 4. Dolcissima mia vita 5. O dolorosa gioia 6. Qual fora, donna 7. Felicissimo sonno 8. Se vi duol il mio duolo 9. Occhi del mio cor vita 10. Languisce al fin 11. Mercè grido piangendo 12. O voi, troppo felici 13. Correte, amanti, a prova 14. Asciugate I begli occhi 15. Tu m'uccidi, o crudele 16. Deh, coprite il bel seno 17. Poichè l'avida sete (Prima parte) 18. Ma tu, cagion (Seconda parte) 19. O tenebroso giorno 20. Se tu fuggi, io non resto 21. T'amo, mia vita

The Hilliard Ensemble: Monika Mauch (soprano), David James (countertenor), David Gould (countertenor), Rogers Covey-Crump (tenor), Steven Harrold (tenor), Gordon Jones (baritone) For their latest album for ECM, and over 20 years after their first recorded foray into Gesualdo with his Tenebrae Responsories (8438672), The Hilliard Ensemble turn again to the music of the Italian nobleman, this time to sing the entire Fifth Book of Madrigals. An aristocrat who forged an idiosyncratic style of musical expression, Don Carlo Gesualdo, Prince of Venosa, was one of those composers in music history who can truly be described as being ahead of his time: the creator of a harmonic language bold almost to the point of anarchy, whose every unpredictable interval was viewed with suspicion by the opponents of musical autonomy and guardians of liturgically based sacred music. A friend of Torquato Tasso and founder of his own academy, to which many leading madrigalists of the 16th and early 17th centuries belonged, Gesualdo was a highly expressive composer and a virtuoso performer on the bass lute. Yet his chromatic progressions baffled his contemporaries and had to wait until the 19th century era of high Romantic period to find resonance in artistic parallels. Among his most important compositions are six books of five-part madrigals dating from between 1594 and 1611. The last two books in particular – this recording by the Hilliard Ensemble brings new performances of Book 5 – displays his dissonant musical language with its extreme harmonic disruptions, striking tempo contrasts and a distinctly modern feel for drama. The Hilliard Ensemble’s expressive singing, here also featuring soprano Monika Mauch and countertenor David Gould, conjures up that sound described by the great music historian Hans Redlich as growing out of “the antithesis between extravagant/debauched eroticism and self-castigating longing for death”.

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