Secular Music Of Jean Japart: Le Maitre De

Album cover art for upc 4010072773531
Label: CHRISTOPHORUS
Catalog: CHR77353
Format: CD

Les Flamboyants, Michael Form (direction)

Jean Japart (15th c.): Il est de bonne heure ne/Lomme armé - Amours fait mult/Il est de bonne heure/Tant que nostre argent - Tan bien mi son pensa - Pour passer temps/Plus ne chasceray - Questa se chiama - Jay biens nori - Helas quel e a mon gre - Fortuna d'un gran tempo - De tous biens playne - Je cuide se ce tamps dure - Je cuide/De tous biens - et al.
Josquin Desprez (c1450-1521): L'omme armé - Fortuna dun gran tempo - Se congié prens - Jacob Obrecht (c1450-1505): Tant que nostre argent durra - Antoine Busnoys (c1430-1492): Jay pris amours - Johannes Martini (c1440-1497/98): Fortuna d'un gran tempo - Antoine de Vigne: Franc coeur qu'as tu/Fortuna dun gran tempo - Hayne van Ghizeghem (c1445-c1495): De tous biens playne - anonym: L'homme armé (Monodie) - Helas quel e a mon gre (Monodie) - J'ai pris amours - Si congié prens

Jean Japart remains one of the great unknowns of the Franco-Flemish school of the late fifteenth century, despite the fact that his music contains unexpected turns, daring harmony and bold movement structures. All that we know about Japart's life is that he was employed for a certain period (1447-1480?) at the court in Ferrara. He must have been well-known during his lifetime as the great Josquin de Prez honours him in a personal motet lamenting his death. What is more, the famous Venetian printer Ottaviano Petrucci includes the extravagant total of 23 pieces (!) by Japart in his collections of music by the best-known composers in Europe of the time.
Japart's extraordinary contrapuntal skills are displayed in elaborate quodlibets (Fr. fricassées), in which several already existing and mostly well-known melodies are skilfully combined, forming a musical Gordian knot. Another of his specialities is the enigma canon, a form which he carries to extremes in his eccentric constructions. In this recording, the ensemble Les Flamboyants directed by the recorder player Michael Form presents (almost) the complete works of this master interspersed by a number of comparative works by other contemporary masters such as Josquin, Obrecht and Busnoys.

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