An unparalleled collection of Bill Evans. Out of Print and one copy in stock!
The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once--combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs. Two dates with drummer Shelly Manne, in 1962 and 1966, reveal the stimulus Evans could find in a new playing relationship, as does the final disc with flutist Jeremy Steig. Evans also revisited significant earlier musical relationships. The Village Vanguard recordings from 1967 reunite him with the great drummer Philly Joe Jones, whose extroverted, polyrhythmic approach always worked wonderfully with the pianist's more introverted style. Along with the virtuosic young bassist Eddie Gomez, they make up one of the most stimulating of the many trios that Evans led throughout his career. There's also a superb set of duets with guitarist Jim Hall, another of Evans's most closely attuned musical partners. Evans's recordings with a symphony orchestra are marred by conductor Claus Ogermann's ponderous arrangements, and some false starts and multiple takes will appeal only to completists, but there are tremendous musical riches here. The set is packaged in an unfinished metal box designed to rust into an original object, but Evans's own originality is apparent everywhere. --Stuart Broomer
The packaging for this box set is made of untreated steel and is designed to be a unique, collectible object itself which will change in color, texture and appearance over time, and will rust as an effect.