Martinu, Hindemith, Honneger: Cello Concertos

Album cover art for upc 4010276024439
Label: HANSSLER
Catalog: HAE93276
Format: CD

MOSER; DEUTSCHE RADIO-PHILHARMONIE; POPPEN

Wholenote Discoveries - September 2011
Bohuslav Martinu, Arthur Honegger and Paul Hindemith lived almost exactly contemporaneous lives, being born within 5 years of each other in the early 1890s and all dying in their 60s between 1955 and 1963. As cellist Johannes Moser perceptively notes in the booklet for his latest CD, they had one other thing in common: they all consciously avoided the path of serialism and consistently developed their own very individual styles. Moser’s idea of bringing their cello concertos together in one programme is a real winner, and results in a terrific CD. All three works are in the traditional three-movement form and are immediately accessible, while clearly imbued with each composer’s individual voice. The Martinu, from 1930, has its roots firmly in the Czech tradition, with a soulfulness very reminiscent of Janáček at times. The Honegger is a short (15 minutes) but very effective work from the same year. The Hindemith, from 1940, is classic Hindemith: a strong, rhythmic opening; an immediate melodic entry for the soloist; an instantly identifiable and highly personal use of tonality; stunning orchestration. It’s a wonderful partner for the Violin Concerto from the previous year. I’m completely at a loss to understand why Hindemith is still regarded in some circles as a dry, theoretical musician – it’s a view completely at odds with his mature orchestral works, and one completely destroyed by performances like this. Moser is outstanding throughout the disc. The recorded sound is warm and resonant, and the Deutsche Radio Philharmonie and conductor Christoph Poppen are ideal partners. Terry Robbins

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