| Label: CONCORD JAZZ INC. Catalog: CJA3123002 Format: CD Kurt EllingMatte Kudasai / Steppin' Out / Come Running To Me / Norwegian Wood / Blue In Green / Samurai Cowboy / After The Love Is Gone / Golden Lady / Nighttown, Lady Bright Wholenote Discoveries - April 2011
Kurt Elling's singing is not for everyone. When a musician with the fertile imagination and daring that Elling possesses commits to an idea sometimes what comes out isn't so pretty. A crooner he is not. And not everyone will agree with all of his choices. But Elling has the skills and range to pull off incredible musical feats. He and the band can take a song – like Norwegian Wood on his latest album “The Gate” - and start it off on familiar Beatles’ ground and move it to a place that is way off the original path into fresh, interesting territory. But Elling isn't all cerebral, cold-blooded improvisation. He has a big ol’ mushy side too, and can rip your heart right out of your chest when he wants to, as he does on an ultra slowed-down version of Earth, Wind & Fire’s After the Love Is Gone. And on Herbie Hancock's Come Running To Me, when Elling gets up in his high register he produces some of the sweetest sounds that ever came out of a man. Of course a singer on a journey like this can’t do what he does without solid yet boundary-pushing musicians with him, most notably pianist and arranger Laurence Hobgood, guitarist John McLean, saxophonist Bob Mintzer and Grammy-winning alpha producer, Don Was. Cathy Riches
The New York Times is one of numerous publications to declare that Kurt Elling is the “standout male vocalist of our time,” and The Gate, Elling’s follow-up to his Grammy-winning Dedicated to You, is among his strongest albums—and perhaps the finest of his career.
Produced by Don Was (Rolling Stones, Bonnie Raitt, Bob Dylan), The Gate is a musical collection in which boundaries cease to exist, a sensibility enhanced by producer Don Was, who had expressed the desire to work with Elling—an opportunity which Elling found irresistible.
“I first heard Kurt on the local jazz station and was knocked out by his exotic blend of soul, technique, intelligence and charismatic hipness,” Was recalls. “He made this diverse collection of songs his own—and we had a blast.”
What Don brought to this project," said Elling, "was his love of music and musicians, and a confidence that liberated us from all concern. He is the consummate producer and this was an extraordinary experience—my favorite in a studio.”
The Gate points Elling into a new and satisfyingly emotional direction. He has somehow found a way to make a deeply personal statement out of the music of King Crimson, Joe Jackson, Stevie Wonder and the Beatles—in addition to providing a new and vibrant understanding of Miles Davis, Bill Evans and Herbie Hancock.
That Elling is first and foremost a jazz singer makes the work searching and enthralling. His phrasing is cool and meditative as he ventures into areas usually reserved for instrumentalists. As a lyricist, Elling breathes new life into gems previously known only for their melodies. “His words are informed by a powerful poetic spirit,” said poet and Bollingen Prize winner Robert Creeley. “Kurt Elling takes us into a world of sacred particulars.”
The Gate features longtime associate, Laurence Hobgood on piano, Bob Mintzer on sax, John McLean on guitar, John Patitucci on bass and two drummers, Terreon Gulley and Kobie Watkins—in addition to percussionist Lenny Castro. Said Elling, “The musicians on this recording inspired me to be…better.” Price: $15.98 |