Bernstein: Mass / Kristjan Järvi

Album cover art for upc 095115507025
Label: CHANDOS
Catalog: CHSA5070
Format: SACD

Randall Scarlata (baritone) / Absolute Ensemble / Chorus sine nomine / Company of Music / Tölzer Knabenchor Tonkünstler-Orchester Niederösterreich, Kristjan Järvi

Bernstein: Mass

Gramophone Magazine June 2010: 250 Greatest Recordings of All Time
A thrilling account of Bernstein's rediscovered Mass.
Gramophone Editor's Choice - May 2009
‘He was a great individual, totally unafraid to take risks and largely misunderstood because people didn’t see his universality’, Kristjan Järvi has said about Leonard Bernstein.
One of Bernstein’s most controversial compositions, Mass was written at the request of Jacqueline Kennedy Onassis for the opening of the John F. Kennedy Center for the Performing Arts in Washington DC and received its gala premiere at the venue’s opening on 8 September 1971. Bernstein declared that his intention in writing the piece had been ‘to communicate as directly and universally as I can a reaffirmation of faith’. Recalling Britten’s War Requiem in its use of Catholic liturgical text interrupted with commentary in the vernacular, the work caused a storm of controversy, particularly with its exploration of the concerns of the era, Nixon and Vietnam. Unlike Britten, however, as with many of his compositions, Bernstein brought together an embarrassment of riches of musical styles, both classical and idioms popular at the start of the 1970s. The New York Times noted, ‘Bernstein left nothing of himself out of Mass, and like the man who wrote it, the piece demands to be noticed… beneath the original dramatic conception, the creative exuberance, the showbiz glitter and the ear-catching set numbers is a sophisticated, carefully controlled piece of musical craftsmanship that repays close scrutiny… an extravagant, exuberant and endlessly inventive creation…’. Mass is now recognised as one of the central works of twentiethcentury American music, and its political and cultural importance as well as amazing music extend its relevance to today.
The Times wrote of a recent performance by Kristjan Järvi and the Tonkünstler-Orchester: ‘The conductor Kristjan Järvi is bringing a bracing blast of Bernstein.’ Der Standard noted: ‘There has not been this much drama for a long time… conductor Kristjan Järvi, together with his Absolute Ensemble New York, the Tonkünstler Orchester, Chorus sine nomine, Company of Music and the Tölzer Boys’ Choir, presents the theme of modern man’s crisis of faith…’. The Kronen Zeitung wrote: ‘Kristjan Järvi proves himself a perfect strategist with a real feeling for Bernstein’s tonal dramatisation. He creates a monumental theatre of sound…’.
The leading baritone Randall Scarlata takes the role of the Celebrant, a role he has performed on many occasions. He is especially recognised for his performances of American repertoire. The Boston Globe recently commented: ‘A triumph – this baritone has in his keeping the vocal wherewithal to do just about anything he wants.’

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