Wolfgang Amadeus Mozart: Youth Symphonies

Violin - Gottfried von der Goltz Orchestra - Freiburger Barockorchester Orchester

Sinfonie Nr. 1 Es-Dur KV 16 1Hörprobe Track 1: 1. Molto allegro 1. Molto allegro (5:37) 2Hörprobe Track 2: 2. Andante 2. Andante (5:24) 3Hörprobe Track 3: 3. Presto 3. Presto (2:19) Kontertänze KV 609 Nr. 1-5 (Non più andrai) (Auszug) 4Hörprobe Track 4: Nr. 2 Kontertanz Es-Dur Nr. 2 Kontertanz Es-Dur (1:00) Sinfonie Nr. 4 D-Dur KV 19 5Hörprobe Track 5: 1. Allegro 1. Allegro (2:19) 6Hörprobe Track 6: 2. Andante 2. Andante (4:14) 7Hörprobe Track 7: 3. Presto 3. Presto (2:42) Kontertänze KV 609 Nr. 1-5 (Non più andrai) (Auszug) 8Hörprobe Track 8: Nr. 3 Kontertanz D-Dur Nr. 3 Kontertanz D-Dur (1:38) Sinfonie F-Dur KV Anh. 223 (19a) 9Hörprobe Track 9: 1. Allegro assai 1. Allegro assai (5:24) 10Hörprobe Track 10: 2. Andante 2. Andante (4:47) 11Hörprobe Track 11: 3. Presto 3. Presto (2:34) Kontertänze KV 609 Nr. 1-5 (Non più andrai) (Auszug) 12Hörprobe Track 12: Nr. 1 Kontertanz C-Dur Nr. 1 Kontertanz C-Dur (1:40) Sinfonie Nr. 5 B-Dur KV 22 "Haager Sinfonie" 13Hörprobe Track 13: 1. Allegro 1. Allegro (2:49) 14Hörprobe Track 14: 2. Andante 2. Andante (2:33) 15Hörprobe Track 15: 3. Allegro molto 3. Allegro molto (1:30) Kontertänze KV 609 Nr. 1-5 (Non più andrai) (Auszug) 16Hörprobe Track 16: Nr. 4 Kontertanz C-Dur Nr. 4 Kontertanz C-Dur (2:38) Sinfonie G-Dur KV Anh. 221 (45a) 17Hörprobe Track 17: 1. Allegro maestoso 1. Allegro maestoso (5:23) 18Hörprobe Track 18: 2. Andante 2. Andante (5:45) 19Hörprobe Track 19: 3. Molto allegro 3. Molto allegro (2:21) Kontertänze KV 609 Nr. 1-5 (Non più andrai) (Auszug) 20Hörprobe Track 20: Nr. 5 Kontertanz G-Dur Nr. 5 Kontertanz G-Dur (2:01)

Without the manifold musical impressions and influences from his travels in his youth and without the constant confrontation with the music of his time, Mozart would never have been able to achieve such a stylistic cosmopolitanism as distinguishes his oeuvre. In both phenomena lies the root for a fusion of different genre styles within a single work, which he first encountered in the 18th century. Mozart was probably the only discursive composer in music history (you could add Handel) who needed an exchange with the music of his time to create something entirely his own. All the musical achievements of the time are reflected in his works; however, they are not reproduced in an encyclopaedic or even eclectic manner, but rather transformed and brought to a higher level as part of Mozart's personal style. Mozart's unusual way of creating has its origin in his youth, in his curious desire to start.

Price: $26.98