Bill Evans - Some Other Time

Album cover art for upc 096802280276
Label: RESERVOIR
Catalog: HCD2019
Format: CD

Piano - Bill Evans Double bass - Eddie Gomez Drums - Jack DeJohnette

You Go to My Head Very Early What Kind of Fool Am I? I'll Remember April My Funny Valentine Baubles, Bangles & Beads [Duo] Turn Out the Stars It Could Happen to You In a Sentimental Mood These Foolish Things Some Other Time You're Gonna Hear from Me Walking Up Baubles, Bangles & Beads [Trio] It's Alright with Me [Incomplete] What Kind of Fool Am I? How About You On Green Dolphin Street I Wonder Why Lover Man (Oh, Where Can You Be?) You're Gonna Hear from Me [Alternate Take]

Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany). Includes a 40-page book with new historical essays by jazz journalist Marc Myers and German jazz historian Friedhelm Schulz; producer Zev Feldman; new interviews with Gomez and DeJohnette; plus rare and previously unpublished photos from the archives of photographers David Redfern, Jan Persson, Giussepe Pino, Hans Harzheim and German Hasenfratz. 'There was big excitement about us going to the studio. This record represents a time and space where he was exploring new approaches to standard repertoire rhythmically and harmonically.' Jack DeJohnette 'Every time he touched the piano, he touched my heart and he played with a sound that was just a gorgeous sound and he always was so expressive in his playing.' Eddie Gomez

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