Hommage A Zuzana Ruzickova

ZUZANA RUZICKOVA

Bach, J S: Chromatic Fantasia & Fugue in D minor, BWV903 French Suite No. 5 in G major, BWV816 Keyboard Concerto in G major (after Vivaldi), BWV980 Cabezón, A: Capricho Couperin, F: Vive le neveu Falla: Concerto for Harpsichord & Chamber Ensemble Martinu: Concerto for Harpsichord and Small Orchestra Scarlatti, D: Keyboard Sonata K519 in F minor Keyboard Sonata K19 in F major Keyboard Sonata K278 in D major Keyboard Sonata K375 in G major Keyboard Sonata K8 in G minor Keyboard Sonata K70 in B flat major Keyboard Sonata K1 in D minor Keyboard Sonata K63 in G major Keyboard Sonata K406 in C major Keyboard Sonata K11 in C minor

Zuzana Růžičkova, an exceptional personality upon whom the critics conferred the title “First Lady of the Harpsichord”, continued the pioneering efforts Wanda Landowska had made to get the harpsichord recognised as an independent concert instrument. The path she took was co-determined by her lifelong relationship to Bach, whose complete works for harpsichord she has recorded, and along it she was also accompanied by a number of friends she regularly met: Karel Ančerl, Gideon Klein, Sviatoslav Richter, Josef Suk. She hasn’t, however, remained merely a Bach specialist: in addition to early music, she has recorded all the classic modern harpsichord works, including Poulenc’s Concert champetre and her beloved Bohuslav Martinů’s Concerto for Harpsichord, awareness of which she helped to raise all over the world. A number of pieces have been written directly for Zuzana Růžičkova, among them compositions by Jan Rychlik and the remarkable Sei invenzioni canonici per cembalo by Viktor Kalabis, whom the harpsichordist was married to for over half a century. This representative selection from Zuzana Růžičkova’s highly acclaimed discography is Supraphon’s way of marking her 80th birthday. The overwhelming majority of these recordings are appearing on CD for the very first time. The perfect way to mark Zuzana Růžičkova’s 80th birthday – a harpsichord feast ranging from Bach to the 20th century.

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