Martines: Il Primo Amore, Cantatas

Nuria Rial & La Floridiana present world premiere recordings by Marianna Martines - a famous female composer in the time of Mozart and Haydn. Marianna Martines was one of the most accomplished and highly honoured female musicians of the eighteenth century. She studied with the young Joseph Haydn and was known in Vienna to be a gifted singer and keyboard player, who performed duets with Mozart himself. Despite the fact that many of her compositions appeared in print during her own lifetime many of her works are still missing, among them a total of probably 28 sonatas and eight concertos for harpsichord. The album includes four world premiere recordings, and is released to commemorate the 200th anniversary of Marianna Martines who died on March 11th 1812. The 28 page booklet is complete with elaborate liner notes and full libretti in German, English and French Spanish Catalan soprano Nuria Rial is famous for her shining, cristal clear and beautiful voice and is one of the most fitting voices for baroque arias. She was described as "a silvery sounding voice, as clear as a bell." (Opernglas) Nicholetta Paraschivescu is a dedicated harpsichord player and musical director of "La Floridiana". Concerts have taken her across Europe and to major festivals such as the Davos Festival, Bach Dies Cremona, the Rheinland-Pfalz Organ Festival, Culturescapes Basel and the L'Aquila Festival in Rome. La Floridiana is a Swiss based, period instrument ensemble that performs unknown works in the main that have been unearthed in libraries and private collections with the aim of expanding the current repertoire of the Early Music scene.

1. Ouverture in C (1770 for wind instruments, strings und basso continuo: Allegro con spirito 2. Ouverture in C (1770 for wind instruments, strings und basso continuo: Andante ma non troppo 3. Ouverture in C (1770 for wind instruments, strings und basso continuo: Allegro spiritoso 4. Cantata Il primo amore (1778) for soprano, wind instruments, strings and basso continuo: Recitativo Ah troppo è ver! 5. Cantata Il primo amore (1778) for soprano, wind instruments, strings and basso continuo: Aria Sol che un istante 6. Cantata Il primo amore (1778) for soprano, wind instruments, strings and basso continuo: Recitativo Nè sol, quando la miro 7. Cantata Il primo amore (1778) for soprano, wind instruments, strings and basso continuo: Aria Bella fiamma del mio core 8. Concerto per Cembalo in E - Dur (1766) for harpischod solo, wind instruments and strings: Allegro 9. Concerto per Cembalo in E - Dur (1766) for harpischod solo, wind instruments and strings: Andante 10. Concerto per Cembalo in E - Dur (1766) for harpischod solo, wind instruments and strings: Allegro 11. Sonata per Cembalo A - Dur (ca. 1765): Allegro 12. Sonata per Cembalo A - Dur (ca. 1765): Adagio 13. Sonata per Cembalo A - Dur (ca. 1765): Tempo di Minuetto 14. Scelta d`Arie composte per suo diletto da Marianna Martines (1767) Aria Berenice, ah che fai? 15. Scelta d`Arie composte per suo diletto da Marianna Martines (1767) Aria Berenice, ah che fai? 16. Scelta d`Arie composte per suo diletto da Marianna Martines (1767) Aria Berenice, ah che fai? 17. Scelta d`Arie composte per suo diletto da Marianna Martines (1767) Aria Berenice, ah che fai? 18. (for soprano, wind instruments, strings and basso continuo): Aria Perché, se tanti siete

Price: $19.98